Why is it that interactive TV is not really a success whereas second screen applications seem to be doing OK? This question has puzzled me for a while and the answer is not an easy one, I think. In this post I will try to shed some light on an answer that only accounts for a very small proportion of the total findings. It just deals with cool and unconscious processes, things that get extra credit in my own view on things. This partial answer has to do with very deep behavioral processes: approach and avoidance.
Saturday, November 5, 2011
Tuesday, October 11, 2011
After the advertising clutter paradox in the nineties and nillies, the advent of mobile phone and tablet technology has been heralded as the holy grail of modern advertising. These new technologies indeed guarantee new and improved communications between brands and customers. They also make sure that at the conscious level, there should be a great deal of integrity put into the marketing efforts with these new channels. As a customer, we should therefore welcome these applications, I believe. These modern technologies also have their impact on more traditional advertising. As I suggest below, this is true for traditional above-the-line advertising as well as for the most basic of all marketing communication tools: the product and its packaging.
Thursday, September 29, 2011
While giving a class in marketing communications this afternoon, I showed my students a screenshot of the homepage of Andrea Petkovic, a female tennis player, to explain some point being made in the course. At that moment, something peculiar about the site struck me. Just like her colleagues, Andrea of course endorses a number of brands (her sponsors). I do not know about how lucrative these deals are, but I guess she will be rather glad with the pay check. She does, however, provide free publicity to a number of other brands: facebook, twitter, and youtube. What is even more surprising is the size and placement of the publicity: these free endorsements are about as prominent as the paid endorsements and they have the more prominent left position on the screen.
Wednesday, September 21, 2011
Since today there is of course a big buzz going on about the public accessibility (without invitations) of Google+. Next to that, there's a large number of "new stuff" that is all pretty cool. Still, G+ is mocked because of its ghost-town appearances.
Pure blasphemy, in my opinion. In my view, a new religion has been born.
The reason for thinking so is rather graphic and deals with marketing communications. Google has played it very clever and they sure know their marketing Bible. G+'s immanent succes should not be attributed to the product itself but to how they used their other product, the sky-high favorite search engine named Google. Have a look at it today and you'll see this ...
Thursday, September 15, 2011
A recent column (in Dutch) by Tim Driesen (@mrtimp; creative at Famous, Brussels) got me thinking - something the author should be credited for. Tim wrote down a desperate cry for help: advertising (at least in Belgium) is in desperate need of intelligent creatives. In recent years, he observed intelligent talent entering the business, but mostly in the strategic departement. At one point I did feel a strong relevance of his post for my own work in academics. His diagnosis of the problem revolved around two key issues, I believe:
- Students from an arts education are of course pretty creative but, on average, less intelligent
- Students having an academic background have lost their creative talent and ability to think outside the box
Saturday, September 10, 2011
Groupon's been a mixed-feelings company lately. On the one hand, it is still one of the late boomers in the industry. On the other hand, there are some issues with the stock market entrance being postponed and accumulating stories about unhappy clients (for Groupon these are the firms/shops providing the offer).
Although there is a vast literature about the malleability of promotions in the long term, this is even worse for services I believe. Promotions can always invoke feelings of suspicion about a product's actual price. Suppose people doubt the price for your goods, then maybe they are still willing to pay a subjectively overpriced product in the future given high customer satisfaction. If there is some behind-the-scenes production involved, people are willing to pay a higher price. So far so good, for actual goods being offered on Groupon.
Thursday, September 8, 2011
When simply watching TV commercials or even when thinking about the creative process behind making those commercials, it seems intuitive to build them up towards a punch line and to present the brand name (and/or the product) together with this punch line. Still, it keeps me baffled just to see how often this is almost the only brand name mention in some of these ads. From a strategic rather than a creative point of view, such practices are pretty much like stone age wisdom applied. Granted, TV might not be the most sexy and up-to-date advertising medium according to some of the advertising innovators, but stone age...? Or am I missing something and is there a vast amount of research out there contesting some of the old school wisdom?